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23.08.2019

Five go mad at the Villa Diodati: Ken Russell’s ‘Gothic’

by Andrew Weltch   The creation of Mary Shelley’s Frankenstein is a fascinating tale in its own right. In the summer of 1816, Lord Byron invited fellow poet Percy Bysshe Shelley and his lover, 18-year-old Mary Godwin, to stay at the Villa Diodati near Lake Geneva, along with Mary’s’stepsister Claire Clairmont, and Byron’s physician friend […]

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09.07.2019

‘Echo and allusion’: Tennyson and Wordsworth

by Jayne Thomas   In his 1879 essay on Wordsworth, Matthew Arnold maintains that by the publication of Tennyson’s 1842 Poems ‘the ear and applause of the great body of poetry-readers’ turn decisively toward Tennyson and away from Wordsworth, a transition of which Wordsworth himself was perhaps aware. Aubrey de Vere records a meeting between […]

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16.06.2019

Childhood, Nature, Light and Sound:
Wordsworth and Mahler

by Fred Blick There is a rewarding connection between William Wordsworth’s literary work and Gustav Mahler’s musical compositions. They were both important exponents of Romanticism. Romantic artists throughout the nineteenth century were identifiable as being concerned with the pleasures, fears and pains of individuals and their relationship with Nature. I intend to show that the […]

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09.02.2019

Setting William Blake to music

by Joseph Andrew Thompson My introduction to William Blake came through a copy of Songs of Innocence and Experience, lent to me by a high-school friend. Over the course of a few weeks, I read it through and through, enchanted by its elegant simplicity. Visually, it had the magic of a book of fairy tales, […]

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21.01.2019

Nice ink, Keats

by Gareth Evans   An ephemeral post seems to be a good place to talk about doodles. In their purest form, you may have little idea when you start how either will finish. The youthful Keats’s marginal sketches in his 1815/1816 medical notebook are more purposeful than this but were nevertheless created to fill some […]

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01.01.2019

Bringing Frankenstein back to life

by Andrew Weltch   Think of the ‘original’ cinematic Frankenstein’s monster, and the image that comes to mind is probably Boris Karloff in James Whale’s 1931 Frankenstein and its sequel Bride of Frankenstein. But you actually have to go back a further two decades for the genuine original and the creature’s first appearance on film […]

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15.11.2018

Re-imagining the Wordsworths IV: A walk with sound

by Kate Sweeney     It is an autumn morning in Gateshead and I am walking through Saltwell Park. The sun is bright but the shadows are long. I push the buds of my headphones into my ears and contemplate the distance from the small lake to the war memorial, wondering if it is about […]

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02.11.2018

Painted ships on painted oceans: Contemporary staging effects in The Rime

by Rebekah Owens   These days we think of Coleridge primarily as a poet, but when he was writing The Rime of the Ancient Mariner he had playwriting very much on his mind. After collaborating with Robert Southey on the verse drama The Fall of Robespierre, in 1797, the year before the first version of […]

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