Blog

Create & Learn

Page 1

02.11.2018

Painted ships on painted oceans: Contemporary staging effects in The Rime

by Rebekah Owens   These days we think of Coleridge primarily as a poet, but when he was writing The Rime of the Ancient Mariner he had playwriting very much on his mind. After collaborating with Robert Southey on the verse drama The Fall of Robespierre, in 1797, the year before the first version of […]

Read More
04.06.2018

'A deep Romantic chasm': exploring the valley where Coleridge wrote Kubla Khan

by Peter Fiennes   It interests me, the idea that the spirit of a person lingers in a place long after they are gone. You can feel them in their homes, soon after they’ve died (or after they’ve left – we don’t have to kill them off…), although you could say that what we’re sensing […]

Read More
05.02.2018

Revisiting Coleridge's poem, 'When Absent Soon To Meet Again'

by Adam Roberts This may be stating the obvious, but the opening prose section of this Coleridge March 1810 Notebook entry (much scribbled over and crossed out in the original) is actually a run-on draft of a poem. Now, lines 5-20 of the set-as-verse section of this, the passage beginning ‘I have experienc’d/The worst, the […]

Read More
06.12.2017

Wordsworth’'s poem 'The Primrose of the Rock': From Pythagoras and Pantheism to Christianity

by Fred Blick   Wordsworth’s contemplation of the primrose, as seen in ‘The Primrose of the Rock’ of 1831/5, illustrates the development of his spiritual beliefs concerning death and renewal. The poem reveals a change from a playing with the idea of continuity by Pythagorean transmigration of the soul to a conventional belief in orthodox, […]

Read More
01.11.2017

Sara Hutchinson, Coleridge's 'Asra'

by Adam Roberts ‘Asra’ was Coleridge’s private name for Sara Hutchinson (1775-1835). There she is, in the image below (from Richard Holmes’s Coleridge: Darker Reflections, 1998); on the left Wordsworth’s own silhouette of her, and on the right a figure from Ciro Ferri’s ‘The Marriage of Boas and Ruth’, that Coleridge saw in Bolton Abbey in […]

Read More
07.08.2017

'The Albatross': From Rime to opera

by Sinéad O’Neill Melville was right when he wrote, of the Albatross, ‘that white phantom sails in all imaginations.’ It sailed then, and it sails still. Coleridge’s poem on the same subject also haunts the collective imagination. It has certainly caught my fancy, enough to make me want to create an opera. Even people unfamiliar […]

Read More
29.07.2017

Romantic but hardly romantic: Sarah Fricker'’s life as Coleridge’'s wife

by Pamela Davenport On a recent visit to Somerset, I rediscovered the beautiful Quantock Hills, which are characterised by deeply wooded combes and wonderful heathland covered with heather, and are truly deserving of their designation as an Area of Outstanding Natural Beauty. Visiting Coleridge’s cottage in Nether Stowey made me think again about Coleridge as […]

Read More
19.07.2017

'Most musical, most melancholy' : Nightingales in Milton, Coleridge and Keats

by Jeffrey Peters   In 1973, Harold Bloom’s Anxiety of Influence described the struggle of the Romantic poets to find a voice in a world dominated by Paradise Lost, but he did little to discuss the legacy of John Milton’s lesser poems. Just as the sun overwhelms the twinkle of distant stars, so too did […]

Read More