by Fred Blick There is a rewarding connection between William Wordsworth’s literary work and Gustav Mahler’s musical compositions. They were both important exponents of Romanticism. Romantic artists throughout the nineteenth century were identifiable as being concerned with the pleasures, fears and pains of individuals and their relationship with Nature. I intend to show that the […]

by Rachael Tarrant   A jade-coloured rectangular box is laid delicately and ceremoniously on the table; hidden inside lies another treasure of the Wordsworth Trust. Our little group – enthused students of Romanticism – have already been shown a first-edition copy of the Lyrical Ballads – ‘shown’ because the book is considered so valuable as […]

by Kate Sweeney     It is an autumn morning in Gateshead and I am walking through Saltwell Park. The sun is bright but the shadows are long. I push the buds of my headphones into my ears and contemplate the distance from the small lake to the war memorial, wondering if it is about […]

by Gareth Evans Following six months of settled living with his sister Dorothy, one May morning William Wordsworth left Dove Cottage with his brother John to walk through Yorkshire.  Separated from her brothers in early childhood only to be permanently reunited as adults, an understandably emotional Dorothy found ways of coping with what was clearly […]

by Fred Blick   Aging is intrinsic to Wordsworth’s poetry. He declared in 1800, in his Preface to the second edition of Lyrical Ballads, ‘I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity’. Recollection inevitably involves aging. It follows that recollection in general, […]

by Erica Pratt   A tour of Dove Cottage always starts in the ‘Houseplace’. Guests enter, blinking against the darkness, and are invited to take a seat by the glowing fire or read extracts from Dorothy’s Grasmere Journal. The Houseplace is a warm, homely place and it isn’t hard to imagine food cooking on the […]

by Fred Blick   Wordsworth’s contemplation of the primrose, as seen in ‘The Primrose of the Rock’ of 1831/5, illustrates the development of his spiritual beliefs concerning death and renewal. The poem reveals a change from a playing with the idea of continuity by Pythagorean transmigration of the soul to a conventional belief in orthodox, […]

Melissa Mitchell, Assistant Curator at the Wordsworth Trust, talks about a new digital exhibition at Grasmere William Wordsworth was a lucky man. In his sister Dorothy, his wife Mary, and his daughter Dora, he had an endless supply of encouragement and love. Together, they were homemakers, a support network – but perhaps more remarkably, they were […]