Re-imagining the Wordsworths IV: A walk with sound

by Kate Sweeney

 

 

It is an autumn morning in Gateshead and I am walking through Saltwell Park. The sun is bright but the shadows are long. I push the buds of my headphones into my ears and contemplate the distance from the small lake to the war memorial, wondering if it is about a 3.18 minute walk – the length of the final sound file in the ‘Re-Imagining The Wordsworths’ project.

Asphalt. A dog runs in front of me then stops and looking back, smiles and wags its tail. I am not in The Lake District and I am not surrounded by peaks, but the sounds of other birds from far away gradually get louder.

Leaves. My red boots step through the first drifts that gather at the edge of the path. Sycamore, Elm.

 

Grass. The dew underfoot changes the colour of the leather. The soft sounds of violins mixed with rain recorded in other places drown out the shrieks of little children and the brooding low sounds of their parents.

Earth. Scuffed soil under a swing. I remember the blue light on the snow that evening well over a year ago. Voices recall the space and the beauty.

Look up! The clouds are thin, like paths across a distant field. The horizon fades to a bleached yellow just above the rooftops of the newly built houses peeking through the trees. I open my coat and increase my stride.

Stone. I circle around the base of the memorial. There will be paper flowers here soon. Turning back to the lake, I look down at my long shadow and wave at myself.

Silence. The 3 minutes are over. I sit down, disturbing a pigeon at the end of my bench.

 

The other sound pieces recorded as part of ‘Re-Imagining The Wordsworths’ can be found in the previous blog posts here, here and here. They were produced as part a collaboration between the Wordsworth Trust and the Northern Bridge Doctoral Training Partnership. Hannah Peircy, Jemima Short, Lucy Stone and Kate Sweeney would like to thank Michael Rossington, Sarah Rylance and Evie Hill (Newcastle University), Jeff Cowton, Lynn Shepherd, Bernadette Calvey, Melissa Mitchell, and Susan Allen (Wordsworth Trust), Tracey Messenger, Helen Robinson, and the Students of Keswick School, Deirdre Wildy (Queen’s University Belfast), Robert McFarlane, and sound artists Conor Caldwell (Queen’s University Belfast) and Danny Diamond.

Join us in the Big Wordsworth Bonanza

by Jenny Uglow
I know it’s almost three years away – or only three years away – but 7 April 2020 is the 250th anniversary of Wordsworth’s birth, and the Wordsworth Trust want to celebrate it in style. There will be conferences, parties, walks on fells, radio and television programmes readings among daffodils, on Westminster Bridge – and wherever you can think of. We’ve even got hopes of ‘Romantics’ stamps, though nothing may come of this! So this is an invitation to all Wordsworth fans, and everyone interested in the Romantics, to join in looking ahead, planning, getting together with ideas world-wide.
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No one ‘owns’ a great poet, and the Wordsworth Trust (where I’m a Trustee) is far from being the only group who want to mark this anniversary. However, it seemed a good idea to post something to tell you what we’re thinking. A small team has gathered, co-ordinated by Simon Bainbridge of Lancaster University, and including the Wordsworth family, the Wordsworth Trust, the team at Rydal Mount and the National Trust, who run Wordsworth’s House in Cockermouth. In time, there will be a separate website for Wordsworth 250, which will publicise all the events. Your ideas are welcome!
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In Grasmere itself, the Wordsworth Trust has plans to enhance the site at Town End, with Dove Cottage at its heart. In a project called ‘Reimagining Wordsworth’, the Trust will re-design the Wordsworth Museum for the first time in over thirty years, refurbishing its galleries to show Wordsworth’s manuscripts in fresh and exciting ways. Visitors will ‘step back in time’, and see Dove Cottage as the Wordsworths would have known it, and new research will mean that Dove Cottage garden, which William and Dorothy loved, has the right plants for the date. Parts of the site will be opened up, so that we can enjoy the green spaces and the views, and there will be new opportunities for children to play, and for visitors to rest and look – and write. Wordsworth’s poetry will come to life for the 21st century.
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This is a huge venture, and it should be a joyous transformation.
The Heritage Lottery Fund has committed £4 million to the project, but to unlock this funding, the Wordsworth Trust must raise a further £1 million by March 2018. We are planning Wordsworth and poetry-themed auctions in 2018 and 2019, but our urgent need now is to meet this target. You can find out more about the project and how to support it by visiting the new Reimagining Wordsworth website.
In short – forgetting money for the moment – this is a really exciting time for all Wordsworth fans, the start of great things. Do please get involved – we would love to hear from you.
 
Jenny Uglow’s latest book is In These Times: Living in Britain through Napoleon’s Wars, 1793-1815. She is a Trustee of the Wordsworth Trust.Jenny Uglow